Showing posts with label United Arab Emirates. Show all posts
Showing posts with label United Arab Emirates. Show all posts

Monday, July 29, 2013

Reincarnation: Going to Virginia with a Banjo on my Knee

                                                                                                                                                        


Almost two years ago I returned to Virginia to begin freelancing. After serving three years in Abu Dhabi as a staff photographer at the English language newspaper The National I thought my career as a daily news photographer was finished. With job opportunities in the industry whittling away I was convinced that I would never work for a newspaper again. 


That said, before I left the United Arab Emirates I felt the need to document my observances of daily life so I created a visual momento of sorts. In the end I edited the images into the essay In-shallah-la-land. My plan was to possibly use the series as a promotional piece if I ever set up meetings with editors on this side of the pond. 

Fast forward to the States...

Literally less than 15 minutes after landing in Chicago via London my cell rang and I accepted my first editorial assignment as a freelancer. My goal was to hit the ground running but even this pace was a little more then I had expected. 

To be honest, I was really more concerned at building my wedding business Love Minus Zero. I felt that from a business perspective it made more sense to be a wedding photographer than an editorial photographer. It came down to numbers and I knew I would have a greater return on my investment with weddings.  

That said, I also worked at steadily building both an editorial and commercial client base. However, the girth of my energy was displaced to Love Minus Zero. Throughout my first year, I focused heavily on strictly building a presence in Hampton Roads and Richmond, VA. 

To be fair, I also kept an eye out for local publications and businesses that I felt might be able to use my services. I didn't dig too deeply, just enough to scratch the surface. Thankfully, between my wedding clients, editorial work and commercial opportunities my business plan was working, I was making more than my initial projections. Better yet, moving forward into my second year my income was growing at double the rate as my first year. 

I was grateful but there was something missing...

I assumed that a lack of creating in-depth work might hurt my spirit so during this time frame I continued to work on short and long form visual storytelling. One essay entitled Child Hope led me to Haiti where I developed a series of portraits that coupled Haitian children with their favorite item within the confines of the group home where they lived. In my essay Coming to America I spent a year documenting my son's transition back into the States after having lived more than half of his short life in a foreign country. I found it a fascinating topic and something I felt others might gain a little insight from viewing. Both projects fueled my fire but for only so long. 

Going Fishing...

A few months ago I stopped in at an office building in Norfolk, VA to meet with a creative director that I've been working with a lot lately. While I was waiting for my client to arrive I ran into The Virginian-Pilot photo editor Bill Kelley. We had a quick chat and in passing he mentioned they were looking to fill a staff photography position. I paused. Just then the elevator doors opened and my client poked her head out and smiled, I quickly  said my farewell to Bill and left. 

After my meeting, I went out to my car and called my wife to give her a heads up I was on my way home. I mentioned to her that I ran into Bill and about the job opening. As always, my wife encouraged me to pursue the opportunity - to seize the day. The next thing I know, I'm standing in front of the office doors of the photo department at The Pilot. 

The Future...

Once again I've been given the opportunity to document the history and daily on-goings of a community. What makes this region so unique and special to me is that I've spent the majority of my developmental years as a child, teenager and young adult growing up in the Seven Cities. In fact, my first real job was delivering The Virginian-Pilot many many many moons ago. 

Hampton Roads, or The Old Dominion - my pet name for the area, is by far not on my top three places to live list but I have an affinity for the people, the places and the things that make this area home. So, without further delay it gives me great pleasure to announce my new roll as a staff photojournalist at The Virginian-Pilot. 

I feel as if I've been reincarnated! 

Tuesday, December 18, 2012

Rich-Joseph Facun Photography :: my (Favorite) Best of 2012

January 1, 2012 rang in the New Year inaugurating my fourth month of self-employment as a photographer. Just a few months earlier I was a staff photojournalist for an English language paper in Abu Dhabi, United Arab Emirates. I wasn't the cliche of a starving artist or the poor liberal photojournalist. For once, I was earning a decent living; poolside country club dining, five star hotels and European vacations with the family became the norm. I wasn't filthy rich, but lets just say I was no longer counting my change to buy a candy bar. Know what I mean?

After three years of kush living while reaping the benefits of another country's petroleum based economy my wife Jasmine and I decided to bail. As the stifling heat of a Middle Eastern summer arrived we relocated her, our baby girl Opal and young son Levi-Joseph back to the States. We agreed that I should stay behind for just a bit longer to earn a little more before permanently jumping ship. 

During this transition in my life (2011-2012) I shot the essay Coming to America. It takes the form of three acts. Act one looks at the formative years of an American expatriate boy, my son, returning to his native country. In act two, I follow with images from a time of solitude during my last two months in the UAE. Act three closes with a cautious celebration of my departure from the unfamiliar and a reunion with the familiar. I've included a small sampling of this essay in this year's my (Favorite) Best of 2012 .

Another essay I've extracted work from is my portrait series Child Hope. Simply stated, I paired portraits of at risk youth in Haiti with their favorite or most valued possessions. These images were made at Child Hope International, a non profit organization based in Haiti. The group provides orphaned, abandoned and needy children with physical, educational, spiritual and personal care through homes, programs and ministries. 

The remaining work consists of four images taken from editorial and commercial portraiture assignments. I close the final selection of my (Favorite) Best of 2012 with singles made on assignment for clients like the New York Times, Reuters, the Associated Press and Distinction Magazine. Lastly, I've also included some frames from personal work and even a few photographs made through my fine art wedding photography business Love Minus Zero

Thank you for looking, all the best!  



































Thursday, December 15, 2011

INSHALLAH-LA-LAND:UNITED ARAB EMIRATES

People often ask me "What was it like living in the UAE?" or "Man, is Dubai like Vegas in the Middle East?" Sorry, but it's not like Vegas and living there was filled with innumerable idiosyncrasies, too many to mention. 

To be honest, I will never be able to articulate in words what my experience was like. My friends who still live there and who have lived there can understand why. 

That said, during my last two months in the Emirates I shot a personal essay. I was aiming at building both a keepsake of memories and an inquisitive documentation that worked to define some aspects of  the UAE. The following images are a few from this project recently posted on my website in The Emirates gallery. 

The essay Inshallah-la-land is a personal look at the mundane, daily absurdities, expatriate isolation, the unseen imperfections and other oddities that reflect the personality and branding of the Emirates. 






Thursday, September 8, 2011

Outtake: Khalifa City

"It is absolutely impossible for a subject to see or have insight into something while leaving itself out of the picture, so impossible that knowing and being are the most opposite of all spheres."   Nietzsche,  Philosophy in the Tragic Age of the Greeks

Friday, February 25, 2011

The Devil is in the Details

Recent selects from a defense exhibition where million dollar deals were made in helping secure the world from their enemies. If you're in need of an infrared system, unmanned aircraft, patriot missile, tank, automatic rifle, riot control gear, robot, satellite, etc, come on out next year for the annual extravaganza.