Showing posts with label satwa. Show all posts
Showing posts with label satwa. Show all posts

Friday, December 31, 2010

So long, Best of 2010? Welcome 2011.



Colors and textures bounce through the frame and I’m blessed to arrange some coherent order out of the bends in the light. Time moves on, seconds pass, I exhale, I dream, I inhale, I smile, I sigh, another notation has passed. 

I’m drifting again off into a poetry of music and sound. My eyes try to make something out of nothing, my heart intersects, the mind dissects. The tempo slows. 
At the edge of India I find primal rituals, at the birth of the Ganga I find that which can not be found, at home I am embraced by the arms of my youth and the eyes of my offspring, Beirut offers lonely ripped paper eyes of the abducted; not to be seen, in Satwa an organic blade of green festers optimism in a pessimistic mystic, Gemmayze gives me pink balloons and party hats, in the Emirates a lone boy dances to silence, his hands clasped, then opened, eventually melt, rearranging themselves and fall back to Earth’s light...

Days keep moving and time knows the bounds; its secrets are spoken in foreign languages while a cautious friend translates the unknown.

Today, winter yearns for an autumn day and spring for summer. 

Tomorrow was today - Today is tomorrow


























Thursday, April 8, 2010

ISTABSIR: AL SATWA

ISTABSIR is a photo column that runs weekly in The National. The title is derived from an Arabic verb which means to attentively reflect on and contemplate with respectful consideration. Unlike most photo columns The National runs a photo essay per column. Each Sunday, the series receives an entire page (w/o ads) in the news section of our publication.


*You can view more images from this ongoing essay at my website. 



AL SATWA: IN A CHANGED WORLD
IMAGES & TEXT BY: RICH-JOSEPH FACUN
Reflections about the current status of Dubai’s historic community “Al Satwa,” can be found scribed on the walls of alleyways and abandoned villas. Silent messages spray painted in graffiti along textured sand toned walls elicit a running commentary. One anonymous voice summarizes what many residents may in fact already be feeling as towering developments encroach into their backyards, "Satwa is in a changed world."  
Empty lots and skeletal remains of old villas weave throughout the streets of Satwa intertwining with meticulously manicured homes creating a stark contrast of one another. A constant visual reminder of both the past and future for those who still reside within this prime real estate property slated to be razed. Despite the undeniable demise of the community “to let” signs remain abundant. In Satwa multiple fliers posted on the spaces of both local grocery store bulletin boards and street posts create a collage of names and numbers. 
Despite the fact that many new arrivals to Satwa are simply seeking affordable accommodations the story is not the same for other community members. Many of these residents are from a long lineage of families that stretch back for decades. Satwa's residents include Emiratis from the Bloushi tribe who have been there for many decades, Iranians who have been in the Emirates for over 60 years, and migrant workers mostly from South Asia.
Eventually, this area of several square kilometers between Sheikh Zayed Road and Satwa Road will be cleared of all old houses making way for “Jumeirah Garden City.”  In the meantime the charming quiet nature of Al Satwa will remain a present reminder of Dubai’s yesteryears where life was rooted in a sublime simplicity.  When asked what he will do if his home is razed, Obeid Jamil Mabrouk, a resident of Al Satwa for 37 years, said "No matter if they break it down we'll still be here."